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The idea of unisex dressing originated in the 1960s when designers such as Pierre Cardin and Rudi Gernreich created garments, such as stretch jersey tunics or leggings, meant to be worn by both males and females. The impact of unisex wearability expanded more broadly to encompass various themes in fashion, including androgyny, mass-market retail, and conceptual clothing. The fashion trends of the 1970s, such as sheepskin jackets, flight jackets, duffel coats, and unstructured clothing, influenced men to attend social gatherings without a dinner jacket and to accessorize in new ways. Some men's styles blended the sensuality and expressiveness, and the growing gay-rights movement and an emphasis on youth allowed for a new freedom to experiment with style and with fabrics such as wool crepe, which had previously been associated with women's attire. The issues in the fashion industry never fall on any single person, brand, or company. That’s why we focus on using our voices to tr

The functions of fashion include the ability to construct, predict, distribute and implement certain values and samples of behaviour, to form the entity's tastes and manage them. Fashion complements the traditional forms of culture through their turning by modernity, and constructs on this basis, a new human environment. Fashion is unique, self-fulfilling and may be a part of someone's identity. Just like art, fashion does not have to be liked by everyone, it is an expression of one's tastes. Whilst art is usually locked into a drawing, sculpture, picture etc, clothes are a moving form of art; a unique characteristic. How Can The Watch Industry Be Greener? Textiles defined a person's rank and status; certain textiles indicated being part of the ruling class. People expressed their ethnic identity and social hierarchy through textiles. Because some Indonesians bartered ikat textiles for food, the textiles constituted economic goods, and as some textile-design motif